NBE3 · Final Performance Task

How Do We Learn to
Live Together?

My learning journey through NBE3

By: Sheraz Khan

“Living together doesn’t mean becoming the same.”

Begin My Journey
Several distinct paths in different colours moving toward a shared open space while remaining separate

Paths that meet without merging

01Where I Began

What I Used to Think

At the beginning of this course, I thought learning to live together was simple. I believed it mainly meant being kind, treating everyone equally, and avoiding conflict. I assumed that if people respected one another, society would naturally become fair.

Kindness
Equality
Respect

Three equal boxes. Same size, same weight.

02The Fracture

What Challenged My Thinking?

However, the course challenged that belief. I began to understand that treating everyone the same does not always create equality, especially when some groups have experienced generations of colonialism, discrimination, and having their voices ignored.

Treating everyone the same does not always create equality.
03Alootook Ipellie

Identity and Belonging

Alootook Ipellie’s poem “Walking Both Sides of an Invisible Border” changed how I understood identity. The invisible border dividing the speaker’s feet represents the pressure of living between Inuit and Western cultures. The speaker did not create this conflict, yet he must carry it throughout his life. This taught me that living together cannot require people to hide part of their identity to fit into society.

“Living together cannot require people to hide part of who they are.”

[Image placeholder: visual connected to the poem]

Two feet · one invisible border

“It is never easy
Walking with an invisible border
Separating my left and right foot.”

(Ipellie [page]).

04Gayle Kabloona

Protection or Control?

Gayle Kabloona’s “Utiqtuq” taught me about self-determination. Dr. English claims that he is protecting Aliisa, but he ignores her knowledge, removes her rifle, and continues taking her away after she changes her mind. His idea of safety becomes control because Aliisa is not allowed to make decisions about her own life. This showed me that helping others includes listening to them instead of assuming that we know what is best.

[Large image placeholder: Utiqtuq layered storyboard]

The land

independence and knowledge

The rifle

control over her own safety

The relocation form

government authority

The helicopter

protection becoming control

“Helping others includes listening to them instead of assuming that we know what is best.”

Source

Kabloona, Gayle. “Utiqtuq.” [Publisher, year, pages].

05Resistance · Language · Culture

Resistance and Survivance

“The Girl with the Feather” and Jeremy Dutcher’s “Honour Song” also showed me that Indigenous resistance can be peaceful, cultural, and powerful. The feather, the music, and the Indigenous language challenge colonial authority while showing that Indigenous traditions are alive and developing.

[Image placeholder: “The Girl with the Feather”]
Photograph · The Girl with the Feather

[Photographer]. “The Girl with the Feather.” [Year, source].

[Embedded video placeholder: “Honour Song”]audio does not autoplay
Video · Jeremy Dutcher, “Honour Song”

Dutcher, Jeremy. “Honour Song.” [Album, label, year].

ResistanceLanguageCultureSurvivance

06 · Where I Am Now

What I Believe Now

Now, I believe we learn to live together by listening before speaking, respecting Indigenous rights and self-determination, learning the truth about the past, and taking responsibility in the present. Living together does not mean becoming the same. It means creating a world where different cultures, identities, and worldviews can exist without one being treated as more important than the other.

  1. 01

    Listen

    before speaking

  2. 02

    Respect

    self-determination

  3. 03

    Acknowledge

    the truth of the past

  4. 04

    Act

    in the present

Paths meet in a shared space, then continue, still distinct.

07 · Final Message

“We learn to live together when we stop making decisions for others and begin making space to hear them.

Listening is not the end of reconciliation. It is where our responsibility begins.

View Works Cited

MLA · 9th Edition

Works Cited

The entries below are editable. Don’t make up publication details you can’t check. Only fill in what you actually know.

  • 01

    Ipellie, Alootook. “Walking Both Sides of an Invisible Border.” [Collection or anthology title], [publisher], [year], [pages].

  • 02

    Kabloona, Gayle. “Utiqtuq.” [Collection or anthology title], [publisher], [year], [pages].

  • 03

    [Photographer Last, First]. “The Girl with the Feather.” [Year]. [Source / museum / URL].

  • 04

    Dutcher, Jeremy. “Honour Song.” [Album Title], [Label], [Year].

  • 05

    [Additional image, music, or video citation placeholder].

NBE3 · Grade 11 · Final Performance Task · By: Sheraz Khan